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The Madness of George IIIArrowProduction DetailsPosterReviewsPhoto Story
The Madness of George III

Actors triumph over tricky play

Once again OTTC have produced a piece of theatre that not many amateur or indeed professional companies would attempt.

The staging of this play was difficult. How director Lance Hodges triumphed with his ideas.

Whether you are three or thirty, the guidance from teachers, or in this case the director, is the way to producing good work, and to get the best from the players.

Lance has the ability to put his ideas into practice, with remarkable effect. This was a play that needed every emotion from its actors, with the leading players having to perform out of their skins.

Any actor who takes on the role of King George has to be very competent, and Michael Bull did not disappoint. The reaction from the audience during some of his more poignant moments was as tense and disturbing as I'm sure it was meant to be. Michael was extremely convincing.

Ashley Heath as William Pitt portrayed his character with ease, using his quiet mannerisms and wonderful voice to perfection. I enjoyed his work throughout this production.

The play was extremely well cast, with excellent roles taken by Mike Fletcher, Brian Davey and Bob Charman. Julian Smith was perfect as The Prince of Wales. The minor roles were also cast to suit the players, showing care and understanding of each character. The ladies, Lynne Scragg as Queen Charlotte and Amanda Bodilly as Lady Pembroke, looked stunning in their gowns and were portrayed with great style.

Costumes were excellent. I couldn't help but notice the ladies' and gents' shoes, which were of the period. Sometimes shoes worn in plays are an afterthought. Not in this case. Stage props and furniture were of the period. Excellent.

Ros Hollands
The Evening Advertiser

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